Indie Writer sues Twilight: copyrights and takedown violations

What happens if you demand that a website take down some copyright material, but it turns out that you don’t actually own the material?  Well, Summit Entertainment may soon find out.  Summit distributes the Twilight series.  They successful got songwriter Matt Heart’s song “Eternal Knight” kicked off YouTube, iTunes, and Amazon, claiming the song improperly copied the Twilight intellectual property.  This story is interesting because Heart produced the song  before the Twilight movie came out.  The story is also interesting because Summit is only claiming that Heart violated Twilight’s trademark; however, You Tube, Amazon, and iTunes’ ‘take down’ procedure only refers to copyright infringement. In this case, Heart’s CD cover states “inspired by Twilight”.  This only appears to violate Summit’s trademark, not their copyright. (What is the difference between trademarks and copyrights)

So, Heart believes that Summit misled YouTube, Amazon, and iTunes about the extent of their intellectual property rights; thus he is suing Summit for $75,000.  Summit is very aggressive about protecting its property; some retailers have filed lawsuits to protect themselves from Summit.

Summit should be concerned. If someone demands that a website takes down infringing material, but misrepresents the extent of their ownership or rights, under the Copyright Law, the innocent party is entitled to cost and attorney fees.

Sharmil McKee
Business Lawyer
Philadelphia, Pennsylvania
blog@mckeeoffice.com

Dr. Dre sues Record label: Did he wait too long?

Dr. Dre

Dr. Dre or Andre Young

Last month, Dr. Dre (a/k/a Andre Young) sued WIDEawake Death Row Records for unpaid royalties and copyright infringement.  Dr. Dre claims that WIDEawake is a holding company for Death Row Records, after Death Row Records filed bankruptcy. Dre also claims that WIDEawake began re-producing and releasing copies of his album, Chronic.  According to the complaint, Dre and Death Row had an agreement where he sold his copyright to Death Row, but Death Row agreed to pay Dre if it ever transferred the copyright to someone else. Thus, Death Row’s transfer to WIDEawake Records violates this agreement and infringes his copyright.   Here is the complaint.

Interestingly, Dre is also suing WIDEawake for missing royalty payments since 1992.  This lawsuit was filed in California, so California law will decide this dispute.  But let us imagine if the lawsuit were filed in Pennsylvania Is Dr. Dre’s claim barred by statutes of limitation?

Generally, the law only allows 4 years to sue for breach of contract.  And on the surface, it looks like Dr. Dre would be out of luck here.  On the other hand, Pennsylvania does have a 15-year statute of limitation for initiating an action for escheat.  Escheat refers to any abandoned unclaimed property that should be turned over to the State Treasury.  If Dre argues that his royalty payments should have escheated to the State, then he can survive the Statute of Limitation issue.  When Death Row filed bankruptcy, conceivably, his unclaimed royalties could have been sent to the State Treasury.

In addition, Pennsylvania also extends statute of limitations for action based on a contract written under a seal.  This section specifically ignores the general 4 year statute of limitations for initiating a breach of contract action.

Also, if Death Row Records concealed their breach from Dre, then the law excludes this time frame from the computation of the statute of limitations.

And finally, Dre can always argue that the contract was continuing, so the statute of limitations did not start.  The Pennsylvania Superior Court states that when a contract does not fix a certain time for payment or the termination of the contract, then the contract will be treated as continuous.  Thus, the statute of limitations does not start until the termination of the contractual relationship between the parties.  (For those who are interested, the case is Crouse v. Cyclops Industries, 704 A.2d 1090 (Pa. Super., 1997)

However, I believe Dre’s best claim is the conversion of his copyright.  He could enforce his rights under Section 203 of the U.S. Copyright Act, which returns his copyright to his ownership.  This is what Jack Kirby’s family has done with Marvel Comics.  This would certainly create some negotiating leverage enabling Dre to collect a settlement from WIDEawake.

UPDATE: (June 11, 2010) – The court dismissed Dr. Dre’s copyright infringement claim. The court reasoned that WIDEawake’s alteration of Dre’s album was cosmetic and did not violate his copyright, trademark, or right to publicity. The court also noted that WIDEawake used an old photo of Dre, instead of a current photo. A current photo would have implied that Dre endorsed this re-released album. The court allowed his remaining breach of contract claim for unpaid royalties to continue.

 

Sharmil McKee | Business Attorney | blog@mckeeoffice.com

Copyrights and Boomerangs: Marvel sues to keep its comics

 
Jack Kirby is best known for creating, The Fantastic Four, The Avengers, The Incredible Hulk, and co-creating Spider-Man. The Kirby estate sent notices to Marvel that its rights to use Kirby’s characters terminate in 2014.  Basically, in 2014, the rights to use and copy Kirby’s characters will return to the Kirby estate.  How is this possible, dear reader? The Kirby Estate is enforcing their rights bestowed upon them by Section 203 of the U.S. Copyright Act. The section was enacted to give artists the ability to regain rights that they gave away then they had little bargaining power. For example, Jack Kirby, probably did not know the future value of the characters he created. Nor, was he powerful enough to negotiate royalties from Marvel. So, Congress passed Section 203 of the act to help artists like Kirby. 
  
 To take advantage of this law, Kirby needed to serve a notice of termination within 35 years of the character’s first publication and register the notice with the U.S. Department of Copyright. If Marvel did nothing, then the copyright automatically return to the Kirby estate on the termination date. Under this act, the earliest date of termination is 2013. In essence, Section 203 gives an artist a second bite at the apple to control and own his or her work.
 
The law’s only exception that may apply to Kirby is the “work made for hire” exception. Work for hire refers to any creative work that an artist created while employed by someone else. For example, if Kirby was hired by Marvel to create comic book characters, naturally any characters he created would belong to Marvel. Or if Marvel hired Kirby to contribute to a larger collective work, then those characters would also belong to Marvel, as work for hire. It’s important to note that work for hire is determined by examining the parties’ actual conduct and behavior during the relevant time period, especially if the parties do not have a written agreement. Marvel claims that Kirby’s characters are work for hire, but of course, Kirby’s family states that he was “his own man”.  As you can imagine, Marvel and Kirby did not sign an employment agreement or a license agreement.  
 
 

Marvel filed a declaratory judgment action in federal court in New York on Friday asking a judge to determine who owns the copyright to the characters–Marvel or Kirby?
 
What can you learn from this case, as a business owner? Understand that an artist owns the copyright to her creative work as soon as she creates it. If you wish to own that work, then the artist must assign or transfer her rights to you. This transfer should be memorialized in an agreement signed by you and the artist. Drafting the agreement will give you and the artist the opportunity to fairly negotiate the terms of the agreement and to discuss issues that you may not have considered before signing. For example, how long do you have permission to use the art? What happens to this license, if either one of you dies or files bankruptcy. What happens if either one of you changes your mind about this agreement? Discussion like this will help mitigate future disputes and reduce the amount of time you spend in the courthouse. 

 

If you are interested in learning more about this law, please read this law review article: “A Second Bite of the Apple: A Guide to Terminating Transfers under Section 203 of the Copyright Act” by Margo E. Crespin and published by Columbia Law School in 2005.  The article is well-written, and explains these legal concepts in plain English.  
  
If you have questions about copyright law and your business, please contact us. You can chat live with a business attorney at www.mckeeoffice.com  
 
Sharmil McKee
 
 

McKee Law Office

Philadelphia, Pennsylvania

 

Is reverse engineering illegal?

http://chronicle.com/blogPost/Judge-Dismisses/7199

 Thompson Reuter, Inc. (a very large software company) sued a university for copyright infringement and breach of license agreement.  George Mason University, (a small innovative, entrepreneurial institution) who had a license agreement with Thompson, created a free software tool (Zotero).  Thompson claimed that Zotero reversed engineered its EndNote citation software, which is a breach of their license agreement and an infringement of their copyright.  A federal judge dismissed the lawsuit, for unknown reasons.  However, the case raises a legal question for small business owners.  Is reverse engineering illegal?  Does reverse engineering infringe an owner’s copyright?

The answer is no.  Generally, the Copyright Act prohibits copying someone else’s intellectual property, including software code.  However, consider the legislative purpose of the Copyright Act—the act was designed to encourage the free flow of ideas.  So, Congress has limited the reach of the Copyright Act by incorporating a Fair Use exception.  Fair use permits a person to use a small portion another person’s copyrighted property.  The Copyright Act only protects expression, not the ideas or the functional aspect of a software program.   The court, ruling that the fair use exception can apply to software, decided that reverse engineering software code to discern the unprotected ideas in a computer program is a fair use.  If you are interested in reading the court opinion, the case is Atari Games Corp. v. Nintendo of America, Inc., 975 F.2d 832, 24 USPQ 1015 (Fed. Cir. 1992).

What can you, the business owner, learn from this case?

To protect your business from claims of copyright infringement, you will need to demonstrate that you actually engineered the property. You can meet your burden with an extensive paper trail that documents your investment and labor.  Many times, the only way to access the unprotected functional elements of a program requires copying the code and dissembling the object code into source code.  Thus, as a practical matter, the law allows copying another software code if you are transforming the code into a new purpose.  The new purpose does not have to be dramatically different from the copied code, just a new product with a different purpose.  This satisfies the legislative purpose of the Copyright Act—encouraging innovation.

Do you a legal question about contracts? We offer free consultations on this and other issues. Chat, live and privately, online with an attorney  every Monday through Friday from 8 a.m. to 8 p.m.

 

Sharmil McKee

Business Lawyer

blog@mckeeoffice.com

 

McKee Law Office

Philadelphia, Pennsylvania

http://www.MckeeOffice.com

Can I copy someone else’s website layout design?

The answer depends.  Is the layout design of a website protected by copyright laws? This is the question the judge in Sartor v. Walters, 2006 WL 3497856 (W.D. LA.) is facing.

A few years ago, a federal court ruled that the distinctive layout of a magazine cover is entitled to copyright protection as a graphic work. But last year, another court ruled that the layout of video game controls is not protected. So is the layout of a website page more like a “magazine cover” or more like “video game controls”. If the website is considered a magazine cover, then the layout is protected by copyright laws. If a website is considered a video game control, then the layout is not protected. This case is still pending and the answer remains to be seen.  

Until this issue is resolved, to avoid future litigation, I suggest that as a business owner, you only use royalty-free website design templates, or design an original layout that does not resemble another website.

For more information, read The Patry Copyright Blog: Layout Claims

Do you have a legal question? We offer free consultations regarding this and others legal issues.  Call today or chat online, privately, with an attorney every Monday through Friday from 8 a.m. to 8 p.m. at www.mckeeoffice.com
 
 
Sharmil McKee
Business Lawyer
 
McKee Law Office
245 W. Allens Lane
Philadelphia, Pa 19119
 
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